Showing posts with label Revisions. Show all posts
Showing posts with label Revisions. Show all posts

Friday, April 25, 2008

Because there was no school today

Because I'm about six hours from being done with my revisions on PERMANENT INK.

And because today I wrote 4000 words on THERE IS NO HAPPY ENDING (lets call it TINE for now) and I'm unstoppable.

Because Rory, the main character in TINE looks out at this from her window.



Because I just feel like sharing, here's the first page.


It is hard to figure out when Jacob disappeared because, before the last time, he disappeared so often.

In Rome they will keep grieving him. On Via Nazionale, where his parents live, they’ll grieve him with friends and co-workers from the Embassy, but then the grief will become quieter and eventually they’ll move back to the house in Virginia where there is little to remind them of him.

In Trastevere they’ll whisper about him and hold on to each others’ hands when they see his work underneath a bridge or in a doorway. When Jacob was gone the doorways of Trastevere stood quiet and blank. He wasn’t sauntering side streets with his can of spray paint and a crooked cigarette burning in his small fingers. That was how they noticed at first and then they noticed all of the bridges and steps and bars and piazzas where he wasn’t.

In Los Angeles, where he never was, everything makes Rory grieve him.

Saturday, April 5, 2008

Writing in a Bubble

I have to admit something. I get very jealous sometimes. I am a member of some wonderful groups for Debut YA writers and we talk a lot about the biggest and the littlest details of publishing a first novel. But it's little phrases like "my Crit partners said..." or "my genius husband suggested..." or "my darling partner thought I could..." that make me look sheepishly around me for someone to comment on my manuscript. It seems I'm the rare writer without crit partners (romantic or otherwise!) to guide me through revisions and sometimes, no matter how independent a writer you might be, reading aloud to an empty room does not bring new ideas about.

So this morning, H-- who has piles of essays to grade, an amazing daughter in need of mommy time and is preparing to move (read, clearly has nothing else to do) commanded that I meet her on west 12th street for brunch and revision brainstorming.

She is a genius. We went through countless details from my manuscript that H turned upside down for me, twisted, and re-imagined. I feel clear. I feel like I am looking at a new book. She quoted lines back to me and then explained what they might mean to another reader. Oh, I thought, I never saw it that way. And I scribbled notes down furiously.

Most importantly she said, listen. You have to stop being mad at Keeley.

My god, I said. It's true. I AM mad at Keeley. I didn't know you could be mad at one of your very own characters. But I am. And that means I really kicked her out of the end of the book. And she deserves to be there.

So I say, don't clean your bathroom or stare at your computer screen or try to write inside a bubble. Ask someone to tell you the truth about a few of your words. You might find out you're really really mad at your characters and you need to work this out.

And just because.


Did we really look like this once?

Monday, February 11, 2008

Family is not just what you’re born into

For the past seventeen, almost eighteen years, sometimes (like this weekend) H is the only person I want to talk to. It's so easy. Sometimes we are lucky enough to find that.

I am working on revisions for PERMANENT INK. I am having a really hard time with Keeley. Keeley has always been very clear in my mind. I know exactly what she looks like and what books are on her shelf and that she only sleeps well in her own house and that she listens to Belle & Sebastian. What I am having a hard time with, is filling out the history of her friendship with Noelle—and I mean the history that happened in the lifetime before the pages of the book. I want the page to show how a friendship can be pure joy, how sometimes when we are kids, we meet someone who we were supposed to meet, who is always going to be a part of our lives, who will feel at times like relief, like delight, like anger, like obligation, like Christmas, like birthdays, like the last person you want to see or the only voice you want to hear. I want Noelle and Keeley to look like this picture.